OPEN ACRYLICS – with Corrine Loomis Dietz
Date: Saturday –
October 13, 2012
Time: 10:00am to
4:00pm
High School and Adult Students
Glaze, Layer and Blend
Develop you blending skills and make color sing in a whole
new way! OPEN Acrylics will dramatically expand your painting options, staying
wet won the palette for days and handling beautifully for slower, wet into wet
applications. This workshop introduces
tips on how to select payments that facilitate rice glazed or develop solid
under paintings! We explore OPEN paint
characteristics to develop soft blends.
Discover luminous transparency of color as we add the Mediums and Gels,
a necessary in developing glazes. Learn
the options of building layers as you OPEN acrylics with traditional Heavy Body
paint and Gels. These Techniques allow
you to manage drying time and develop textures!
This archival paint is suitable for portraiture, plain air and a host of
traditional and contemporary painting techniques and studio environs! More time to think, more time to paint and
less wasted paint!
All paint, Mediums, and Gels are supplied by
GOLDEN Artist Colors. Please bring an
old hand towel and a pad of Canvatex (9”x12”)
12 Students Max. (Still some spaces available)
Class Fee: $120 Members; $150 Non-Members
MONOTYPES FOR A PAINTERLY PRINT – with Corrine
Loomis Dietz
Date Sunday –
October 14, 2012
Time: 10:00am to
2:00pm
High School and Adult Students
Exuberance and Energy describe this workshop as you learn
tips and techniques to create a “one of a kind” image, combining
painting, drawing and PRINTMAKING on Plexi plate,
simple tools and a gorgeous selection of Golden OPEN acrylics. Ideal for mono type, this archival paint stays
wet for hours offering a fun and relaxed experience with easy water clean
up. Our first investigation involves the
“Subtractive” process. We use
a soft rubber brayer to coat a plexi plate with color
and proceed to “subtract” paint by drawing, blotting & wiping
away. Each Paint
will be hand-rubbed and pulled from the plate to reveal strokes and textures
that are unlike anything you can do with a brush.
We will also explore additive techniques, registering the
paper, and building many layers of color on the paper to develop more complex
visual investigations. These techniques
can easily be repeated in simple work spaces and this process does not require
a press! This is a fun and exciting way
to generate works on paper with a richness and diversity unlike any other
method. All paints and mediums are
provided by GOLDEN.
Materials List: 2 sheets of Masa,
Rives BFK, Stonehenge, Somerset
Velvet or other printmakeing paper.
An old hand towel and several 8 ½ x 11 photocopies of images you would
like to work with.,
12 STUDENT MAX. (Still some spaces available)
Class Fee: $90 Members; $120 Non-Members
Or register on line at www.coosart.org and mail a check to Coos Art Museum 235 Anderson Coos Bay, OR 97420
Always interested in anything artful happening on the South Coast so thank you for bringing this to our area.
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